I have been watching movies on and off last year, more often off, to be fair, and to compare with both previous years and my expectations. It's getting better, though, significantly better, so I figured I might as well catch up on those I recall seeing.
1.
Wings of Desire/ Der Himmel über Berlin made us sleepy in its first half and increasingly amused in its second. Overall, good enough to try catching the sequel (
Faraway, So Close!) one day. Strange enough for me, in a positive way, we saw it in a big multiplex rather than some smart cinema network like, say,
Curzon or
Everyman/ Screen. Way to go! Quite liked
Peter Falk in this one, whimsical character.
2.
Juno was my happy discovery in the playlist of the
Singapore Airlines flight to... Singapore. The 13 hours I thought I'd spend sleeping. Didn't quite happen, though the Super Jumbo is sweetly silent and more comfortable than most planes. The new cinema system allowed me to feel less miserable, and to pick up some jewels I had previously missed. In Juno, I loved the story, the characters, the dialogue and the star actors. Also, the surprise of seeing
Allison Janney again (my favourite in The West Wing) and
J.K. Simmons, one of
Coen brothers' fetish actors.
3.
The Kite Runner probably came before Juno during that flight, and proved a better drama than I would've imagined.
Gripping is the word. I can't recommend it to people who can't take bloody scenes and violence, though neither is for granted. Beautiful, beautiful story, however sad, and good actors I hadn't seen before, which is so refreshing!
4.
Giant with
James Dean,
Liz Taylor, and
Rock Hudson rang no bell to me, but I figured that A) back then big actors were more likely associated with good movies and B) I hadn't ever seen James Dean (yep, all true!) so I set out to watch it on the way back from Singapore—in a Jumbo only, such a downgrade! While the movie has good
marks on iMDB, and a good story, I couldn't believe how long and dull it was. I thought long and dull movies are the trait of today's cinema. I was wrong. You must really love these actors to bother with this film.
5.
The Diving Bell and the Butterfly/ Le scaphandre et le papillon is a-take-it-or-leave-it movie where details of an undignified condition following a stroke may be overly gruesome to most viewers. However, if you survive the first half an hour, this true story is worth telling, and a good opportunity to see
Mathieu Amalric do more serious acting than requested by the villain in
Quantum of Solace (which explains, however, why I saw him in
Soho last summer). Bonus? Unusual beauty
Emmanuelle Seigner is no
femme fatale, for once (but maybe that's my impression of her only due to
Roman Polanski's
Bitter Moon).
6.
11th mom/ Yeolhan-beonjjae eomma is a good movie of the type I call
perfect Sunday movie (not requesting much brain, but not insulting one's intelligence either). It's an endearing story and it reminded me to see more Asian movies.
7.
Driving Miss Daisy was probably the third and last movie on my flight back from Singapore and I had to see it because of the many references to it over the years. That, and loving
Morgan Freeman. In full honesty, nothing magical, but good acting from all cast in yet another
perfect Sunday movie.
8.
American Gangster came my way one evening when
my love was busy with something else, and thank God for that—a bit too much blood for his taste, I'd guess. Good story, if you can stomach mafioso implications and scenes. For me, always a pleasure to see
Denzel Washington. AND this is one long movie I won't complain about.
9.
We Own the Night proved a good recommendation from my sister. I've seen
Joaquin Phoenix first in
Quills, definitely recommended, then in
It's All About Love, an interesting idea badly executed, and a few other movies. Liked him best this time round. Also enjoyed
Eva Mendes being a whole different actor than in silly
Hitch, if only for the sleepy act in the bed at her mother's home, or the make-up during her last time with his family—introducing a whole new face next to a whole new act. The relationship of the characters, as long as it lasts, makes me think of
True Romance, somehow.
10.
Caramel/ Sukkar banat is a bitter-sweet Lebanese movie
recommended by Israeli Yaffa, about which I can hardly imagine a complaint. The stories are endearing and true to life, the acting is smooth, the cinematography perfect and the directing impressive for first time director
Nadine Labaki, who also plays lead role and has written part of the film. A full-hearted recommendation.
Labels: couch potato